Warren Ellis and Nick Cave’s The Death Of Bunny Munro is perhaps the greatest album either of them have made since Skeleton Tree, and it’s imbued with a similar sense of tragedy. This is a haunting and poignant work, and it reaffirms their mastery of film score ambience. 

Boston post-punk outfit Black Beach are set to release their third long-player tomorrow and Post-Trash has got first dibs. Mail Thief is out via Best Brother Records tomorrow.

New York-based bassist and composer Brandon López gathers the best avant-garde musicians in the city for nada sagrada. Even removed from the spontaneity of witnessing them live, the sheer power of the group can be felt at every turn. 

With a deep understanding that pop nuggets are best delivered in nugget form, Slippers truly excel at miniature masterpieces, songs so catchy and fully realized they rarely need more than two minutes to create their jangly magic. Slippers 08 is overloaded with these kinds of moments.

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Myles Tiessen chats with Vanvouver’s PISS about their swift rise, the catharsis of their live shows, and what it means to be living their creative purpose.

Manchester/Berlin-based Mandy, Indiana reflect the vicious, fragmented state of the world on their latest, standing with solidarity and rage as they chronicle systemic failure amidst deeply personal pain.

Post-Trash’s Dom Lepore chats with Harry Green about Mouseatouille’s growing recognition, how they miraculously find time to operate as a band, their crossover with internet culture, and what the future holds for the band.

Jackie West‘s sophomore effort Silent Century is alive, honest, and inspired. West’s sense of intimacy that characterized her debut is intact, but Silent Century is bolder and even more expansive than its predecessor.

Game Set Match’s self-titled EP defines that laissez-faire approach to life and art in a way that’s hugely interesting. Even across a four-song, nine-minute offering, Game Set Match’s musical scope proves especially hyper-focused.

MPTL Microplastics’ Sod In Heaven is an album emerging deep from the mud of the English consciousness. A primordial stew of the odd and uncanny that lies hidden underneath English culture's well-manicured lawn.

Sunforger are back. Today, the Montreal-based post-grunge outfit have announce their second full length, and we’re over the moon to be premiering the first single from Weight, “Say Sorry.”

Austin-based band Annabelle Chairlegs arrives with their third full-length studio album, and it may well be their most assured yet. Waking Up is a record where emotional depth meets the distinctive vocals of Lindsey Mackin and the production instincts of Ty Segall — the result being a well-balanced, full-course serving of good old garage rock.

Pippy debut new track “Millionaire” off of their upcoming self-titled record out May 15th.

Out to Pasture is a fuzzy and wild trip down some exciting avenues, and Arbor Labor Union add some new tricks to their formula that add quite a bit of delight for the audience.

Following their scrappy debut EP and two years touring across the US, EU, and Japan, the Nits have amplified the charm and crisped up production. Greetings From is rife with hits and slam-danceable classics.

While the Ithaca based post-hardcore band might have spent five years between their previous two albums, the reinvigoration sparked by 2024’s Thirds continues to roar like an avalanche on Earthquake Lights, an album is awash in surging guitar riffs, extra thick melodies, and drums that beat our senses to a pulp.

Since forming in 2013 from the shards of his previous band Trapped Under Ice, Angel Du$t has not only evolved, but revolved around Justice Tripp. By turning up the heat, Angel Du$t set a high bar that no one can touch. 

Today, Post-Trash is thrilled to premiere the lead single from Webb Chapel’s forthcoming Vernon Manner. On an album that swings you up and down like a drugged-out pendulum, the solitude of “Hail Mary” only accentuates Webb Chapel’s knack for unpredictability.

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

“Dropped Down The Well” has become a staple of MEMORIALS’ live show, and it’s easy to see why. Built on a ripping rhythm with gorgeously insistent bass and a spring-loaded drum beat, the song is buzzing with propulsive energy and a wildly engaging sense of melody that has become synonymous with Verity Susman’s songwriting.

Redux is not a redo of The Greatest. It’s a three-track EP on which Marshall and a cadre of friends who toured with her in support of The Greatest way back when. Cat Power is the real deal, and she’s achieved what every artist aspires to: letting their work speak for itself.

On Detroit Institute of Art Volume 1, DJ Dremond and his collaborators deliver their stories with sincerity, crafting an audible depiction of community and revival. The record reminds listeners that Detroit’s revival isn’t the result of new zoning projects or job growth, but lives most vividly in the art created by those who never left.

Post-Trash’s David Williams chats with Rae Haas of MX LONELY about defeating your monsters, running through graveyards, being haunted by Mr. Lonely, and their favorite karaoke song. 

Occasionally Wretched Blessing’s path leads to unexpected covers, as the pair followed up their debut EP with a set of Deftones covers. They’re back with another cover and this one feels a bit more left field, taking on Calvin Harris and Disciple’s mega pop hit "How Deep Is Your Love”.

The haunting, doom-laden Ghost Ship finds erstwhile Codeine drummer Chris Brokaw in fine form. It is heartily recommended to all fans of doom-laden, brooding atmosphere, who perhaps will enjoy listening to it at night, in the wilderness, or - best of all - at sea

Before the band’s upcoming tour supporting Ratboys, Post-Trash’s Sam Cohen chats with Florry’s Francie Mendosch about Kurt Vile, the Philly music scene, and why Alex Chilton is the greatest rock n’ roll star.

Ratboys know how to explore complex themes and, even more importantly, they’ve figured out how to make them go down easy with swingin’ melodies. Singin’ to an Empty Chair is an album riddled with intensely nuanced emotions, strong images, and a nod towards a lovely future. 

Keta Ester - aka Keegan Graziane - chats with Post-Trash’s Heather Williams about their musical beginnings, recording separate from Bruiser and Bicycle, and the making of their first full length LP Love Apple.

On Bloody Head’s new record Bend Down and Kiss the Ground, the group articulates what could be called the “church or reason” of contemporary time. Like their many punk and hardcore-leaning forebearers, Bloody Head’s message is against the worship of the State or perceived realities.