Robber Robber’s sonic chaos by way of four-piece rock band combines the best of experimental and pop. Last November, Post-Trash chatted with Nina Cates and Zack James about the Burlington scene, the best and worst of Red Hot Chili Peppers, and the creative groove they’ve settled into with their Fire Talk debut.

Nina Nastasia’s Seaside Recordings is a haunting and sepulchral collection, full of poignancy and anguish. The New York artist portrays someone afflicted by an unfathomable loss, yet her approach is one of stoic composure.

EXEK’s seventh album and first for DFA, Prove the Mountains Move is a masterpiece of post-punk clarity. It’s the feeling of knowing your way around in the dark, of taking in the world with new eyes, of the nostalgia of a moment before it’s ended.

Despite the heavy tone EXPO unravels, the growth that Ulrika Spacek showcased on their latest record is exponential, only blossoming their potential as one of the most intriguing art rock bands that continuously digs into their sound and concept, album after album.

Post-Trash’s Giliann Karon chats with Aunt Katrina’s Ryan Walchonski about oppressive DC summers, being a musician for the love of the game, and their band’s excellent new album This Heat is Slowly Killing Me.

Post-Trash’s Jade Marantz chats with Makena lei Carnahan and Jamie Eder of Widemouth about songwriting as a band, the Chicago scene, and their upcoming full length debut No Gasoline.

On Dimple’s newest record, Greg Hartunion and Colby Nathan exchange the atmospheric and space-filled experiments of their 2022 record Soul Chateau in favor of a dense, oozing fog of hushed melodies sung over grooving tempos.

Post-Trash’s Benji Heywood chats with Landowner’s Dan Shaw about his band’s new album, its intensive recording process, and how learning to mistrust our assumptions can be an invaluable hack to withstanding the relentless information assault of our modern age.

Heaven 2 carries a chaotic beauty that fully acknowledges the frailties of human nature. Lala Lala are daringly unafraid to tackle the dangers of the modern world by working through questions that arise through the intense intimacy of their music.

Scout Gillett’s Tough Touch chronicles the experience of a touring musician and the constant sense of change road life entails. Tough Touch is a passionate and fiery snapshot of the places and memories that have been left behind.

My Days of 58 is an intimate and deeply human work, one reflective and varied yet full of personality. It’s not merely a late career highlight for Bill Callahan, but a testament to the importance and brilliance of the songwriter and his oeuvre.

Warren Ellis and Nick Cave’s The Death Of Bunny Munro is perhaps the greatest album either of them have made since Skeleton Tree, and it’s imbued with a similar sense of tragedy. This is a haunting and poignant work, and it reaffirms their mastery of film score ambience. 

Boston post-punk outfit Black Beach are set to release their third long-player tomorrow and Post-Trash has got first dibs. Mail Thief is out via Best Brother Records tomorrow.

New York-based bassist and composer Brandon López gathers the best avant-garde musicians in the city for nada sagrada. Even removed from the spontaneity of witnessing them live, the sheer power of the group can be felt at every turn. 

With a deep understanding that pop nuggets are best delivered in nugget form, Slippers truly excel at miniature masterpieces, songs so catchy and fully realized they rarely need more than two minutes to create their jangly magic. Slippers 08 is overloaded with these kinds of moments.

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Myles Tiessen chats with Vanvouver’s PISS about their swift rise, the catharsis of their live shows, and what it means to be living their creative purpose.

Manchester/Berlin-based Mandy, Indiana reflect the vicious, fragmented state of the world on their latest, standing with solidarity and rage as they chronicle systemic failure amidst deeply personal pain.

Post-Trash’s Dom Lepore chats with Harry Green about Mouseatouille’s growing recognition, how they miraculously find time to operate as a band, their crossover with internet culture, and what the future holds for the band.

Jackie West‘s sophomore effort Silent Century is alive, honest, and inspired. West’s sense of intimacy that characterized her debut is intact, but Silent Century is bolder and even more expansive than its predecessor.

Game Set Match’s self-titled EP defines that laissez-faire approach to life and art in a way that’s hugely interesting. Even across a four-song, nine-minute offering, Game Set Match’s musical scope proves especially hyper-focused.

MPTL Microplastics’ Sod In Heaven is an album emerging deep from the mud of the English consciousness. A primordial stew of the odd and uncanny that lies hidden underneath English culture's well-manicured lawn.

Sunforger are back. Today, the Montreal-based post-grunge outfit have announce their second full length, and we’re over the moon to be premiering the first single from Weight, “Say Sorry.”

Austin-based band Annabelle Chairlegs arrives with their third full-length studio album, and it may well be their most assured yet. Waking Up is a record where emotional depth meets the distinctive vocals of Lindsey Mackin and the production instincts of Ty Segall — the result being a well-balanced, full-course serving of good old garage rock.

Pippy debut new track “Millionaire” off of their upcoming self-titled record out May 15th.

Out to Pasture is a fuzzy and wild trip down some exciting avenues, and Arbor Labor Union add some new tricks to their formula that add quite a bit of delight for the audience.

Following their scrappy debut EP and two years touring across the US, EU, and Japan, the Nits have amplified the charm and crisped up production. Greetings From is rife with hits and slam-danceable classics.

While the Ithaca based post-hardcore band might have spent five years between their previous two albums, the reinvigoration sparked by 2024’s Thirds continues to roar like an avalanche on Earthquake Lights, an album is awash in surging guitar riffs, extra thick melodies, and drums that beat our senses to a pulp.

Since forming in 2013 from the shards of his previous band Trapped Under Ice, Angel Du$t has not only evolved, but revolved around Justice Tripp. By turning up the heat, Angel Du$t set a high bar that no one can touch. 

Today, Post-Trash is thrilled to premiere the lead single from Webb Chapel’s forthcoming Vernon Manner. On an album that swings you up and down like a drugged-out pendulum, the solitude of “Hail Mary” only accentuates Webb Chapel’s knack for unpredictability.